what happened to tonya gregory from stevie

Running time: 2:25. Not only did Iverson refuse to be interviewed, but “many of the white people in the community especially those who had been in the bowling alley the night of the brawl refused to speak,” according to James. “I I like to delude myself into thinking it’s going to be a short film and then it’s three hours long,” said James, who added that this was a difficult film to get funding for — even after the mega-success of “Hoop Dreams.”As with “No Crossover,” James had no plans to insert himself into the story, but things didn’t go according to plan.The film was initially going to be a short profile of Stevie Fielding, a man whom, a decade earlier, James had mentored as a Big Brother. His stepsister Brenda is also a support, a surrogate mother who seems the best-adjusted member of his family, perhaps because, as her husband tells us, "they didn't beat her." Put your pity there, with whom it deserves to be. The child Stevie, we learn, was constantly beaten by his mother and then raped and beaten during his tours of state orphanages and foster homes. It seemed like an ego thing.”The project also took a major detour when Fielding was accused (and eventually convicted) of child molestation.“It was going to be a fairly harmless short film and then life is not so simple and pat to begin with,” said James. I was always very skeptical about the whole enterprise. No MPAA rating. The most important person in his life is his girlfriend, Tonya Gregory, who on first impression seems slow, but who on longer acquaintance reveals herself as smart about Stevie and loyal to him. A Lions Gate Films release of a Kartemquin Films/SenArt Films production; opens Friday. “What’s the silver lining? He didn’t purposely die, but he was completely aware of the ramifications of what would happen if he died during this film.”Interviews with leading film and TV creators about their process and craft.Get The Latest IndieWire Alerts And Newsletters Delivered Directly To Your Inbox Documentary [USA:R, 2 h 20 min] Steve James, Stephen Fielding, Tonya Gregory, Bernice Hagler Director: Steve James IMDb rating: ★★★★★★★★☆☆ 8.0 /10 (2,220 votes) He began a film, a search, to discover not only what had happened to Stevie over the past ten years but to understand the forces that had shaped his entire life. He has been released from prison and is currently homeless in Nashville, Tennessee. What happened to Stephen dale fielding the subject of Steve James documentary Stevie? At one point, James’ African-American cameraman Keith Walker, asked him “did you ever wish you were black?”“I didn’t expect that question from a camera man,” said James. That archetypal liberal sentiment will probably be rejected by hardcore Darwinists or ultra-conservatives in the audience; they may find some solace in the fact that this is also a film about the weaknesses of modern liberalism as embodied by James himself.James may have failed as a Big Brother. I don’t know if there is a silver lining in this film, but it made a very different film than what I set out to make. Despite how prepared you think you are to undertake a documentary project, as any filmmaker can tell you, things never go according to plan. It ends up being a film about a sex offender where part of the goal of the film was not to whitewash his life or his crime.”The film turned out to be a much more ambitious and difficult project than he initially anticipated. It is an insistent theme of this film that every life--not just Stevie's, but that of every person we see--has value and validity, and that everyone deserves a fair break. One of the reasons "Hoop Dreams" is such a great movie, and "Stevie" such a good one, is that, after a while, we implicitly trust his judgement and choices. “Then he died without many of my questions being answered. Because, we soon learn, James has known him since Stevie was a troubled 11-year-old and James became his Big Brother while attending Southern Illinois University. "Stevie," the latest documentary by one of the modern masters of the form, Steve James of Chicago's Kartemquin Films, is a film so troubling and unflinchingly honest, that watching it becomes a test of empathy and compassion.James' "Hoop Dreams" has a subject easy to get behind--the story of two likable inner-city African-American kids trying to achieve dreams of basketball stardom and, in some ways, getting rooked by the system. Stevie thrusts its director in front of the camera, and not in the self-promoting manner we'd expect from, say, Michael Moore. I wasn’t able to film him the last two weeks of his life because the doctors didn’t want us around.”As a result, James ended up making a creative decision to weave his e-mail exchanges with Ebert throughout the film.

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