candleshoe was casey really margaret

Not far from Joshua’s crypt they find the tombstone of a seaman named Thomas Gray whose epitaph says that he “followed the eclipse for riches.” Harry tells Casey that an eclipse of the sun or moon must be the next clue. Later, when Lady St. Edmund asks how Casey got a cut on her face, she lies to protect Cluny. But first, Casey must dupe Candleshoe's widowed owner into believing she's her long-lost granddaughter. When Harry writes to Lady Edmund to say he has found her granddaughter, the countess answers back that even though she has been through these interviews before, she is nonetheless willing to see the girl.

Casey gives a convincing performance, turns down an offer of strawberries, pretends to like rice pudding, and keeps staring at the fireplace because it stirs memories of a fireplace that had a hole in it. Harry wants to present Casey as Margaret, the fourth marchioness of St. Edmund, to her grandmother, Lady St. Edmund, at Candleshoe Manor in England. When Casey mentions the word “eclipse,” the countess says that Joshua’s pirate ship was called During World War II, Casablanca, Morocco is a waiting point for throngs of desperate refugees fleeing Nazi-occupied Europe. ©2019 AMERICAN FILM INSTITUTE. ... (Jay), not a girl (Casey/Margaret), and unlike the movie version, the child’s identity is established for certain by the end of the book. Candleshoe by Michael Innes, 1953. Lady St. Edmund, however, is living in genteel poverty, and Casey quickly learns that Candleshoe itself is constantly on the verge of being unable to pay its taxes. For Margaret Casey McGrath, the Marywood Alumni Association motto "a part of your life all of your life" has a unique kind of dimension. Later, at a restaurant, Harry tells Casey he’s an investor, but Casey insists he is a con man. The box plays “Greensleeves.” Lady St. Edmund is convinced: Casey is her granddaughter, Margaret, the fourth marchioness of St. Edmund. Con-artist Harry Bundage (McKern) believes that the lost treasureof pirate captain Joshua St. Edmund is hidden at Candleshoe, the large country estate of Lady St Edmund (Hayes). Meanwhile, without the money Harry has stolen, Candleshoe is unable to pay its taxes and is within days of With Candleshoe safe and her scheme discovered, Casey, feeling she has no right to stay, prepares to return to Los Angeles, but is stopped by Lady St. Edmund, who offers her a real home at Candleshoe. And that's what young orphan Casey and a sly con man are determined to find.Small-time crook Harry Bundage discovers that the old manor house where Lady St. Edmund resides, with three orphans and her butler Priory is the resting place for a hoard of treasure.

Clara’s job is to coach Casey on Margaret’s likes and dislikes—allergic to strawberries, loves rice pudding—and other particulars, including the names of Margaret’s stuffed animals and the melody, “Greensleeves,” that plays on a music box that Clara hid behind a brick in the main fireplace at Candleshoe. That evening, the countess comes to Casey’s new bedroom and places two stuffed animals on her pillow. Bundage needs Casey to pose as this heiress, Lady Margaret, to gain access to Candleshoe, the regal home of Lady St. Edmund (Helen Hayes). Priory confides that the St. Edmund family is nearly penniless and acts in the role of many different servants—a ruse he is able to pull off because the Lady St. Edmund does not wear her glasses. After he and the girl leave the room, Lady St. Edmund tells Priory to check the fireplace. For the historic location in Lincolnshire, England, see

Casey manages to convince Lady St Edmund, who invites her to live at Candleshoe.Casey soon discovers that kind-hearted Lady St Edmund has also taken in four other orphans. The countess confesses that she knew along that Priory was playing several roles for her benefit, and Casey admits that she came to Candleshoe to find clues to a fortune somewhere in the house. The next morning, when Casey returns to the library, the rising sun projects a message written on a stained glass window onto the opposite wall: “The paths of glory lead but to the grave.” When she asks Lady St. Edmund about it, the countess says it’s a line from Thomas Gray’s eighteenth-century poem, “Elegy in a Country Church-Yard.” As Casey furtively calls Harry to pass along the clue, Cluny comes into the room and tells Casey that she knows she’s up to something. Yeah, right, I met Cluny. This nearly costs the girl her life when she is seriously injured trying to prevent Harry from stealing money from Lady St. Edmund. Casey and two other children get into a fight where they slap, hit and push each other. Candleshoe by Michael Innes, 1953.

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